I had a plan. It was late November and therefore time to start thinking about those all important end of year lists. Obviously. The plan was to catch up on a few albums that came recommended but that I hadn't really got to grips with yet. This is the story of how I got totally distracted from that aim, and what I found instead.
First came a shocking discovery, I had only 7 new actual physical CDs (2 of them signed, this still makes me happy!) this year. I think for years I was probably averaging over 50 annually, times have changed. I admit, I'm not including in that the 10 or so I picked up in Reykjavik in October, I can't kick the physical habit for the Icelandic collection! Still, I've clearly been doing a lot of downloading this year and have, in the main left behind the 'need' to own.
My nostalgia trip remained in Manchester for a while longer, I moved on to some old James (in preparation for seeing them in December) and then to some brand new Charlatans ("Love Is Ending" is a great tune) before hitting the road to spend some time with The Pixies, then Suede before inevitably moving to The Sugarcubes – all their albums in full and in order in fact. That's a whole load of pleasure.
For the final couple of days and the flight back I ended up with Prince, my idea of the greatest of them all. The London O2 shows of a couple of years back are, I'm pretty sure, the high point of my live music experiences. I have seven of the twenty-one gigs recorded in full (don't tell Prince, please) and I listened to all of that before I hit the ground in London.
It was a total delight to hear all this stuff again, with the time to just listen and enjoy. I'm a big junkie for hearing new music all the time and discovering new sounds, but the obvious point is that I haven't been doing that for 20 years or so without accumulating a load of great music. I should listen to that more often.
Anyhow, these end of year lists still need doing, so I'm off to double-check that These New Puritans are as shit as I thought when I last had a listen, because the NME seem to think they have made the album of the year.
